Metallica sold out? Well these guys sold out at the very beginning. The fact that some people praise this but hate Metallica goes to show their hypocrisy.

Deathrow, Paradox, Mekong Delta, Sieges Even, Holy Moses, Exumer, and Darkness are way more interesting and engaging than this abortion of an album. I'm being serious when I say that this album is shit. To think that people prefer this over Metallica shocks me. This is nothing more than an abortion of black metal posing as thrash. This band is the most overrated in all of thrash. We do we begin with this abortion Well first thing I want to say is that the vocals from Schmier are extremely generic, he tries too hard. Tech Thrash Not Quite - 15 ThrashFanatic, January 24th, 2018 Ugh. I could make better use out of 39 minutes by throwing rocks at a wall. View all reviews for Destruction - Infernal Overkill. If this is considered Germany's finest, then I'd rather listen to Lulu on repeat. This album would of been better off instrumental, the vocals are just giving me a major headache when Schmier is constantly shouting 'BESTIAL INVASION'! Aside from the god awful lyrics, the music is tolerable. El enlace de mediafire subido y compartido por Akeldama. The only track that is somewhat decent is 'Bestial Invasion'. Descarga Gratis para el Thrash metal album o disco Destruction - Infernal Overkill (1985) comprimido en. Watchtower and Toxik are technical, this just sounds like a messy mix of Venom and Slayer. Technical my ass! This is nowhere near technical, it is not even close. Some people claim this to be 'technical'. It sounds like a 6 year old having a temper tantrum.

It is so boring and redundant that it makes me want to just stop listening within the first minute. 'Invincible Force' is the most cliche song on this record. Is this the best lyrics they could come up with? Oh god. Where are the thought provoking lyrics about political issues/war/society? These lyrics sound as edgy as a 11 year old edgelord. The lyrics are so generic too, it puts me to sleep. DESTRUCTION - Infernal Overkill (Yellow Border), Black, Death, Thrash, Doom, Heavy Metal, grind, crust, CDs, Vinyl, Shirts, Patches, DVDs, Tapes, Cassettes, MP3. We do we begin with this abortion? Well first thing I want to say is that the vocals from Schmier are extremely generic, he tries too hard. To read the entire article, purchase this issue from our online store.Ugh. This is an album where literally, thrash was being invented, refined and made deadly. Everything from the playing to the production would improve vastly, and the mix of thrash riffs, grim vocals and blackened lyrics would influence generations of both thrash and black metal bands to come. The members were still teens at the time, and their transformation from that first effort to their full-length debut, Infernal Overkill, would be profound. It was poorly recorded and sloppily played, but in the spirit of Venom, the band established itself as whirlwind force of evil and unchecked speed. The German contingent, remarkably, didn’t even know of each other until they had already recorded their respective demos, but they’d gotten a glimpse of some of the Bay Area bands through their first releases and tape-trading.ĭestruction, the trio of bassist/vocalist Marcel “Schmier” Schirmer, guitarist Mike Sifringer and drummer Thomas “Tommy” Sandmann, hailing from a country village in southwestern Germany, arrived like a blitzkrieg with their vicious Sentence of Death EP in 1984. There’s also no doubt that the California contingent-Metallica, Slayer, Exodus and Megadeth-also influenced each other in this pursuit, whether consciously or unconsciously. These seminal efforts were made by young musicians who were simply taking the most badass aspects of the NWOBHM-say, the speed of Raven and Jaguar and the evil of Venom-and amping it way up. There were no bands purposely trying to play thrash metal. Well, the music existed, obviously, but it wasn’t called thrash metal. It should be noted that there was, in fact, no such thing as thrash metal at this time. Destruction, Sodom and Kreator (or Tormentor, as they were originally called) drew from the same influences as their American counterparts-largely the NWOBHM and, in particular, Venom-though they did so with a uniquely Euro perspective and approach. However, across the Atlantic in Germany, a trio of bands that were practically contemporaries of the Big Four (or Five) offer a pure glimpse of the origins of this style. And since Exodus’ Paul Baloff, Metallica’s Cliff Burton, Megadeth’s Gar Samuelson and now Slayer’s Jeff Hanneman are no longer with us, the opportunity to examine the genre’s origins are getting fewer and fewer. Though we have inducted numerous landmark thrash metal albums in the Decibel Hall of Fame over the years, very few of the earliest examples of the style have made it in there. 113 Infernal Overkill Label: Steamhammer/Metal Blade Release date: -–

Destruction infernal overkill